12 boat neck blouse designs to add to your Indian wear wardrobe


In a bid to lend our traditional wear a decidedly modern spin, our wardrobes have become so heavily focused on off-shoulders, ruffles and cut-outs, that certain time-tested styles have fallen by the wayside. And the boat neck serves as one such example. Inspired by the wide necklines on sailor suits, it was popularised by Coco Chanel in the 1930s. The bateau neck, as it is also called, found its firm place in fashion history when championed by Hubert de Givenchy in the iconic LBD he designed for Audrey Hepburn in Breakfast at Tiffany’s. Closer home, the boat neck has been a favourite with yesteryear actor’s such as Saira Banu and Mumtaz too.

While the boat neck has become synonymous with Meghan Markle’s post-wedding repertoire today, the style needn’t be restricted to just your western ensembles. A boat neck blouse is a winning addition to your Indian silhouettes too, be it a voluminous lehenga or a snug sari. A modest alternative for those vary of plunging necklines or off-shoulder styles, this must-have blouse design assures sophistication and a contemporary touch.

Asal by Abu Sandeep’s boat neck blouse features mirror work and uses a sheer panel to create peek-a-boo drama, while at Shivan & Narresh, strategic embroidery detailing gives the impression of a bejewelled neckline. Ilk’s delicately embroidered version is perfect to be paired with handloom drapes. Looking for something festive, yet understated? Try Torani’s all-gold approach.

Scroll through the gallery for all the boat neck blouse designs you need to complement your saris.

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ASAL by Abu Jani Sandeep Khosla

ASAL by Abu Jani and Sandeep Khosla

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ILK

Ilk

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NS by Nakul Sen

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Shivan & Narresh

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SVA by Sonam and Paras Modi

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Torani

Torani

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Image: Sagar Ahuja/Vogue

Shyamal & Bhumika

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Rimzim Dadu

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Pratima Pandey

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Warp n Weft

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Prreeti Jaiin Nainutia

Image: Sagar Ahuja/Vogue

Prreeti Jaiin Nainutia

The post 12 boat neck blouse designs to add to your Indian wear wardrobe appeared first on VOGUE India.



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Milan Fashion Week AW19: Meet Matthew Williams of Moncler Genius


Since it was established in 1952, Moncler has become as synonymous with down jackets as Burberry is with the trench coat or Hermès with silk scarves. But much like those brands, it wants to be known for more than its trusted goods—which is no surprise, given its remarkable backstory. Having started out as a sleeping-bag manufacturer in the mountain village of Monestier-de-Clermont (Moncler is an abbreviation of this name), it was transformed in 2013 by CEO Remo Ruffini, who built a bankrupt brand into the thriving luxury-sportswear company we know today—as much Italian now as it is French.

And the next chapter? Last February, during Milan Fashion Week, Moncler launched its Genius project—which Ruffini describes as “a symposium of creative minds and an inspiring place”—putting an end to the company’s Gamme Rouge (women’s) and Gamme Bleu (men’s) shows that had been guest-designed by the likes of Giambattista Valli and Thom Browne.

Instead, eight designers were invited to reinterpret Moncler’s DNA. In a cavernous Milanese hangar they simultaneously unveiled their collections in theatrical presentations that played on loop. Simone Rocha transported us to a snowscape where models zig-zagged down the runway in airy creations embroidered with florals. Meanwhile, Valentino’s Pierpaolo Piccioli brought a touch of reverential couture to his collection, arranging models in down gowns on an altar-like stage; artworks by monk Sidival Fila hung on the walls above. The collections have been released on a monthly basis ever since.

On Wednesday 20 February, two new designers join the ranks. British wunderkind Richard Quinn (who was presented with the inaugural Queen Elizabeth II Award for British Design by Her Majesty on the same day as the Moncler Genius show last year) and California native Matthew Williams of Alyx will show alongside the original eight.

“The collection is about authentically marrying the world of Moncler and the world of Alyx,” Williams says, with the same matter-of-fact approach that defines his designs. Vogue came to meet the 33-year-old during fittings at the Moncler headquarters in Milan. The severity of his black leather trousers, liberally inked arms and military buzz cut are gloriously contrasted by his jovial manner.

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For the latest chapter of the Genius project, @matthewmwilliams merged the worlds of @moncler and @alyxstudio. "I think we really did that with the silhouettes of the pieces, as well as the hardware and the colour palette," says the designer. See his favourite pieces from the collection in #VogueFirstLook at #MFW in Stories.

A post shared by VOGUE India (@vogueindia) on Feb 20, 2019 at 10:10pm PST

As the former creative director to Lady Gaga and artistic director to Kanye West, Williams is inextricably linked with both music and fashion. It’s fitting then that some of the fabrics of his Moncler Genius collection have an acoustic quality. “It’s a happy coincidence,” he says, as he arranges a jacket made of kite material on a model. Every gesticulation makes a whooshing sound that makes the spine tingle. “Some people love it, and some people are like, ‘when is that garment going to shut up?’”

Williams almost always designs listening to music. On his playlist right now is a medley of contemporary hip-hop featuring Lil Gotit, Skepta, Playboy Carti and “a bunch of kids from Philadelphia that are really good” (Matt Ox and Lil Uzi Vert of the production collective Working on Dying).

But the correlation between fashion and music doesn’t end there. The seams of a frosted raincoat embossed with the Alyx logo have been sealed using ultrasonic welding. This manufacturing technique, more commonly used in the packaging industry, bonds materials together using high-frequency sound waves and pressure—just like the edge of the plastic folder you’d keep university lecture notes in. Williams’ approach to design is instinctive: “I’m not so strategic in that way where I’m thinking about the market or business trajectory,” he says. “I’m honestly just making clothes that don’t bore me. It’s coming from a place of things that I want to wear, or I would like to see worn by my wife or a girlfriend.”

The “marriage” between Moncler and Alyx that Williams speaks of is an invariably harmonious one, centring on technical innovation and bold fabrications. It is, after all, why Williams decided to relocate his family from New York to the town of Ferrara in northern Italy. “When I wanted to start my own brand, I realised that Italy was one of the only places in the world where I could make every category that I wanted to do, in the highest quality and with the best materials,” he explains. “It’s a great experience, being in our thirties and getting to learn about a new culture, a new place. And it’s a great place for kids to grow up”—he has two daughters with his partner (and collaborator) Jennifer: Valetta and Alyx, after whom the brand is named.

The heavy metal buckles that have become something of a trademark for the designer are omnipresent on belts and even sandals. Semi-transparent fabric is used to line many of the down coats, turning the stuffing into a feature. T-shirt pattern offcuts have been spun into new yarn and used to make more T-shirts. But the hero of his Genius collection is a pair of unassuming leggings. Created using seamless-knitting technology—a process that almost entirely eliminates waste—the yarn itself is made from recycled fishing line. This idea of reduction is a consistent theme right down to Williams’ boots, which are made from vulcanised rubber.

“We aren’t a ‘green’ company, nor do we claim to be,” he says. “But it’s our responsibility as designers to try and find solutions.” Seamless knitting is time-consuming, he admits; “there are about 3,500 individual threads that go into each piece, and the machine can take at least a day to set up.” But once it’s going, “you’re spitting out eight garments every half-hour on each side. It really is the future of knitwear. The future of making clothing.”

Sustainable fashion may be an oxymoron, but Williams identifies quality, and therefore the longevity of a garment, as key to reducing the impact fashion is having on the environment. “Making something that lasts for decades, that’s the ultimate goal,” he says. “And I think that’s what we’re doing here.”

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Also read:

Milan Fashion Week AW19: What to expect from the shows

Matthew Williamson: Palm trees, bright hues and all things Ibiza

From sketch to runway: how Coach’s spring/summer 2019 lineup came about

The post Milan Fashion Week AW19: Meet Matthew Williams of Moncler Genius appeared first on VOGUE India.





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These Indian women left careers in other spheres for the love of fashion


HOSPITALITY > FASHION

Samyukta Nair

Head, design & operations, The Leela Palaces; co-founder, Jamavar and Bombay Bustle; entrepreneur, Dandelion and Clove

In the last few years, Nair, a third-generation hotelier, has expanded into restaurants Jamavar and Bombay Bustle in London; a line of sleepwear with Dandelion, and her highly curated boutique, Clove, which brings together an easy blend of fashion and living.

On a sartorial legacy: “My grandfather first started his career in textiles with Leela Lace before making his foray into hospitality in 1985. My father continued to actively grow that part of our business and turned it into one of the largest export companies of its day. My influences during my formative years were an amalgamation of both disciplines, so fashion seems to be a homecoming of sorts.”

On her many hats: “Dinner-table conversations ranged from the new trends in hospitality to garments—it was the best kind of education one could hope for. I suppose you are the sum of your experiences, and with Dandelion and now Clove life seems to have come full circle.”

On striving for a balance: “It’s also been incredible to see how supportive the fashion fraternity has been in accepting and welcoming my work. I spend three-fourths of my time in Mumbai and one-forth in London at my two Indian restaurants, Jamavar and Bombay Bustle. For me, all things feed into each other.”

On lessons learned: “Constantly improvising and editing is key. Understanding what the consumer wants whilst keeping in mind the vision for any brand is very important. On a personal front, I believe staying in your comfort zone won’t get you anywhere. The will to learn should be far greater than the fear of failure. And above all, great teams create magic—after all, you are only as strong as your weakest link.”

On curating Clove: “I strive to put all things Indian at the forefront. Clove enables me to create distinct experiences by showcasing fashion, design and craft from India.” Clovethestore.com, Dandeliondreams.co

Around the world with Nair’s top shopping spots

Merci, Paris

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Only one week left to discover VALEUR(S). Kicking off our 10-year anniversary celebration, this exhibition questions the way we look at objects. #merciparis #mercilamaison #seemyparis #decorationinterieur #topparisshops #paris #designinterior

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Dover Street Market, London

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Dover Street Market now reopen with the new SS19 Collections and Spaces. Here @gucci

A post shared by DOVER STREET MARKET LONDON (@doverstreetmarketlondon) on Jan 12, 2019 at 8:01am PST

The Apartment, New York and Los Angeles

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Image: Instagram.com/thelinenyc

Totokaelo, New York

Totokaelo-New-York
Image: Instagram.com/totokaelo

The Store, Berlin

The-Store-Berlin
Image: Instagram.com/thestoresdotcom

BANKING > FASHION

Anjali Patel Mehta

Designer, Verandah

Anjali-Patel-Mehta

“A marriage of finance with a heart is the basis of  Verandah,” says Anjali Patel Mehta, who made the brave move from Wall Street to fashion week.

“My entry into fashion was quite unconventional.”
After completing school in Mumbai, I attended Wellesley College in Massachusetts, graduating in Economics, and joined Goldman Sachs in New York in International Equity Trading. After a stint at the Fortress Investment Group with some ex-Goldman traders I came back to India, where I attended the Indian School of Business followed by a stint at Deutsche Bank. My biggest dream had been to be an architect and, while my mother was a trained artist, I didn’t feel I could manage design school. It was in 2010, when I suffered a severe back injury, that banking really lost its charm for me.”

“I yearned to shop for soft, eclectic, somewhat bohemian clothing.”
Motherhood came by and six months after my first child, I started Verandah. I spent the entire summer designing soft cotton and silk separates, Western in thought but Indian at heart. My first order over a cup of coffee was from the Taj Group of Hotels, who ordered my entire collection to stock at their boutiques. Next came Design One, and there was no turning back. What started out as a journey exploring fabrics led me to work with mills to develop exclusive fabrics and upcycle denim waste from my husband’s denim business. I worked from home, with two small babies and no office space. Two years later I crept into a shared space in my husband’s office. I hired my first employee, Dipak, a tailor who is still with me today, when I got into Lakmé Fashion Week.

“I started telling stories through print.”
I wanted to design for the urban woman who is fashion-conscious, discerning and chooses comfort. My prints are driven by art, travel and architecture. Our business is socially responsible and a portion of our profits to charity. We reduce our washing by using local dhobis, work with weavers and responsible mill owners and design almost every element of our pieces, from the buttons to the yarn. After six years in the business we have five bags of garment waste and I hope to reuse that into weaving rugs with a non-profit.

“I’m super high-energy, which is why I love fast-paced industries.”
I was always a creative person, but I get bored easily. In fashion you have seasons, and that allows you to play a different role each time. Getting picked by Moda Operandi and Neiman Marcus on the first day of Miami Swim Week was definitely the highlight of my year, apart from launching Sustainable Swim. We’ve just been added on Olivela.com, a fashion philanthropy partner. We have two collaborations on the anvil, with Good Earth, and Anthropologie. My advice to anyone making this transition is simple—follow your heart, be different and ask for help. Studioverandah.com

Patel Mehta’s beach essentials

Beach-Essentials

1. Swimwear from Verandah. Don’t forget the kimono to match.

2. Ruben sunglasses from Sunday Somewhere, a label designed by a group of Aussie surfers.

3. I mostly read books on public policy and history—a good read is Palace of Illusions by Chitra Banerjee Divakaruni.

4. Ikaria lace sandals from Ancient Greek Sandals— they are super comfortable.

5. Beach hats from Yosuzi— that are handmade in La Guajira Desert, Venezuela.

SCULPTURE > JEWELLERY

Suhani Parekh

Jewellery designer, Misho

Suhani-Parekh
Image: Nishanth Radhakrishnan

In just a few years, Suhani Parekh’s architectural, streamlined designs have found space at Selfridges and Matches Fashion, in the wardrobes of Anushka Sharma and Jourdan Dunn, and in the pages of Vogue—but her journey started as a sculptor.

On finding her form: “I trained as a sculptor at Goldsmiths, University of London. Gradually I started making pieces that looked better on the body than they did on a plinth. I started wearing the pieces I made and that was very much the point of departure for Misho. I also worked with architect Ashiesh Shah right after graduating; he’s an incredible mentor. I loved working in his studio, there’s so much creative energy and I was always looking at interesting design and art. I was making sculpture through my time with him as well.”

On exploring new dimensions: “I think creative practices are interdisciplinary and fluid. I always knew I wanted to be in the creative industry. I love the process of making things, the research and the techniques. So studying art history and sculpture seemed like the best way to start. Besides, art and fashion are two sides of the same coin. I love the physical process of actually making things and seeing a prototype coming to life.”

On new projects: “I’ve recently started working with Prerna Goel on a style page for Instagram. Prerna has fantastic style, and I love art directing, creating content and playing around with photography. So, it seemed like an interesting project to dabble with.”

On lessons learned: “The word Misho is an ancient Japanese bonsai technique in which a seed turns into an evergreen bonsai tree. I loved how poetic it was—the idea that a seed or an idea turns into something tangible; and there’s just so much you learn through the process of creating something.” Mishodesigns.com

Parekh’s spring shopping bag

‘La Grand Chapeau Bomba’ hat, Jacquemus

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Image: Instagram.com/jacquemus

Seersucker metallic swimsuit, Hunza G

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‘Reve’ slingback mules, Yuul Yie

Reve-Slingback-mules-Yuul-Yie

Also read:

49 incredible Indian women who are creating legacies across the globe

5 successful women in fashion tell us how they made it to the top

The most impactful moments in the history of women’s empowerment

The post These Indian women left careers in other spheres for the love of fashion appeared first on VOGUE India.





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London Fashion Week AW19: The biggest fashion trends on the runway


While we form an orderly queue for JW Anderson’s take on the classic trench to hit stores, switch our Sunday hoodie for an argyle knit and dream of taking Molly Goddard’s diamanté sweater out for a late night spin, Vogue rounds up the six need-to-know trends direct from London’s runways. Here’s what you should add to your new season wishlist, and how to wear it now:

The trend: Skirt suits


Erdem. Image: InDigital

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Richard Quinn. Image: InDigital

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Burberry. Image: InDigital

Where we’ve seen it:
Burberry, Erdem, Wales Bonner, Richard Quinn

What you need to know:
The prim skirt suit (beloved of female politicians and Royal dignitaries everywhere) has returned with a new youthful verve. While Riccardo Tisci showcased the appeal of meadow green and a sculpted waist for his tailored co-ords, Richard Quinn wowed with opulent beading and Wales Bonner championed the power of modesty.

How to wear it now:
Stash oversized Eighties tailoring and match the pencil skirt you invested in last season with a shorter blazer, placing the focus back on the waist (if in doubt, reach for a contrasting belt). Keep suiting simple and experiment with patterned or colour-pop tights, for an elevated rather than overtly straight-laced look.

The trend: Trench coats

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Burberry. Image: InDigital

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Simone Rocha. Image: InDigital

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Eudon-Choi. Image: InDigital

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JW Anderson. Image: InDigital

Where we’ve seen it:
Simone Rocha, JW Anderson, Burberry

What you need to know:
The revitalised trench coat was spotted leading the street style charge, as well as on the runways at LFW. Glossy patent (seen at Simone Rocha), voluminous sleeves (JW Anderson) and re-spun heritage checks (Burberry) make the classic mac this and next season’s most worthwhile investment opportunity.

How to wear it now:
Shop vintage styles in oversized proportions that can be cinched in with a corset belt; and allow a little extra length through the sleeves, to fold back and reveal contrasting lining.

The trend: Argyle knits

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Molly Goddard. Image: InDigital

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Victoria Beckham. Image: InDigital

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Pringle of Scotland. Image: InDigital

Where we’ve seen it:
Pringle of Scotland, Preen, Victoria Beckham, Molly Goddard

What you need to know:
The golf sweater is set to lead AW19’s new homespun mood, thanks to the harlequin knits that turned heads on London’s runways – layered over winged-collar shirting at Victoria Beckham and partnered with full-circle or knitted skirts at Molly Goddard.

How to wear it now:
Take your styling cue from Preen and pair an oversized argyle sweater with fishnets; or opt in to Pringle and Pushbutton’s approach, using the diamond-print knit to enliven tailored trousers.

The trend: Diamanté

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Christopher Kane. Image: InDigital

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Burberry. Image: InDigital

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Molly Goddard. Image: InDigital

Where we’ve seen it:
Burberry, Christopher Kane, Molly Goddard

What you need to know:
When it comes to next season’s after-dark wardrobe, all eyes are on diamanté fringing. Cue Molly Goddard, Christopher Kane and Riccardo Tisci at Burberry, who all created hedonistic runway treats that hark back to turn-of-the-Millenium dance floors. While Kane adorned shirting and pencil skirts with oversized stones, Tisci made the belt-fastened sports dress worthy of a Beyoncé red carpet appearance.

How to wear it now:
Prime your style direction ahead of Molly Goddard’s AW19 crystal sweater drop; and invest in a pair of trailing diamanté earrings to pair with your laziest weekend denim.

The trend: Corsets

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Fashion East Charlotte. Image: InDigital

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Vivienne Westwood. Image: InDigital

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Matty Bovan. Image: InDigital

Where we’ve seen it:
Vivienne Westwood, Asai, Fashion East, Matty Bovan

What you need to know:
Back in February 2016, the laced corset belt became an Instagram hit thanks to Prada’s AW16 canvas design, styled over utility jackets and jacquard dresses. Fast forward to this season and the influence of the full corset (spotted on the runways of London’s young designers) is spearheading a fearless approach to femininity. Vivienne Westwood is the unofficial godmother of the corset’s modern rebirth, having launched her take on the 18th-century classic back in the mid-1970s, as part of the fetish collections for her Sex boutique on London’s King’s Road.

How to wear it now:
As with the corset belts of past seasons, layering remains key. A vintage bustier will tame the lines of a balloon-sleeve blouse, add extra mileage to floral midi dresses, or simply elevate a well-loved tee and Levi’s.

The trend: Puffball dresses

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Richard Quinn. Image: InDigital

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Simone Rocha. Image: InDigital

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Roksanda Anderson. Image: InDigital

Where we’ve seen it:
Erdem, Roksanda, Richard Quinn, Simone Rocha

What you need to know:
While New York Fashion Week was about ballooning sleeves, London has turned its attention to ballooning dresses. Richard Quinn and Erdem delivered the power-floral puffball dress (in Quinn’s case, styled atop rubberised bodycon), while Simone Rocha and Roksanda saw a cleaner take on the bubble-hemline silhouette.

How to wear it now:
Style an oversized A-line top with tailored trousers or wear alone, as a mini dress, with opaque tights for a balletic look. Extra points for attempting taffeta, one of AW19’s favourite tongue-in-cheek eveningwear fabrics.

Also read:

Jenny Packham celebrates 30 years in fashion at London Fashion Week

Victoria Beckham celebrates 10 years with a debut at London Fashion Week

5 fashion trends from New York Fashion Week you need to know about

The post London Fashion Week AW19: The biggest fashion trends on the runway appeared first on VOGUE India.



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The most iconic saris in Bollywood movies through the years


Bollywood’s swish set loves its exaggerated couture and flowing, dramatic trains, but when it comes to delivering a jaw-dropping look, little can replace the allure of a traditional Indian sari. Across the wide spectrum of roles, characters and plots, you’ll find the six yard staple serving as the common thread that links generations together and occupies prime real estate in some of the most iconic moments in films. Whether it is a sultry rain dance on the streets or a typical Bollywood dance number in a happening Miami nightclub, here are the most coveted saris seen in Bollywood movies that we’ll (still) be talking about three decades from now.

Sridevi’s sari in ‘Kaate Nahi Kat Te’

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Sridevi’s legacy is headlined by her undeniable contribution to Indian cinema, and among the visuals most associated with her is of the blue chiffon-clad Seema from Mr. India (1987), who inspired a cult following with the sensuous minimalism of the monochromatic sari.

Raveena Tandon’s sari in ‘Tip Tip Barsa Pani’

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The connection between rain songs and saris was further underscored by Raveena Tandon’s alluring joust under the showers with Akshay Kumar in Mohra (1994). Her yellow chiffon number (with that ruffled blouse) and the song both occupy iconic spots in Bollywood history.

Madhuri Dixit Nene’s sari in ‘Didi Tera Devar’

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The power of Bollywood has made it impossible to hold a baby shower without a throwback to Madhuri Dixit Nene and Salman Khan’s ‘Didi Tera Devar’ from Hum Aapke Hain Koun..! (1994). The purple embellished number with a backless khidki blouse went on the earn the moniker of the most-talked-about Bollywood sari of its time, inspiring everything from copycats in local markets to actual merchandise with dolls being marketed in the same look from the song.

Aishwarya Rai Bachchan and Madhuri Dixit Nene’s saris in ‘Dola Re’

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The visual splendour of Sanjay Leela Bhansali’s grand opus Devdas (2002) lives on through the wardrobes of its leading ladies. The iconic song ‘Dola Re’ had Aishwarya Rai Bachchan and Madhuri Dixit Nene paying an ode to the traditional white-and-red Bengali sari with coordinated embellished variants.

Kajol’s saris in ‘Suraj Hua Maddham’

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Chiffon saris continued to serve as Bollywood’s shorthand for seduction in the next decade as well, with Kajol championing monochromatic, form-defining numbers in her classic love duet with Shah Rukh Khan against the dying embers of the panoramic sunset in Cairo, Egypt, in Kabhi Khushi Kabhie Gham (2001).

Sushmita Sen’s saris in ‘Main Hoon Na’

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Single-handedly responsible for inspiring a nation’s worth of college professor fantasies, the former Miss Universe is fondly remembered for her role as Chandni, the chemistry teacher with a penchant for flowy chiffon saris and tiny blouses in Main Hoon Na (2004).

Priyanka Chopra’s sari in ‘Desi Girl’

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Known for breaking stereotypes and nudging boundaries further, Priyanka Chopra went where no one had gone before by taking the quintessential Indian sari into the plush confines of one of the most It places in Miami. In a landscape dotted with gowns and LBDs, the actor stood out in a champagne-hued sari and a bikini blouse that permanently earned her the moniker of Bollywood’s favourite ‘Desi Girl’.

Katrina Kaif’s sari in ‘Chikni Chameli’

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An essential cornerstone in Katrina Kaif’s meteoric rise as the undisputed dancing diva of the industry, ‘Chikni Chameli’ from the 2012 reboot of Agneepath made good on the promise of its original. Staying true to the roots of the original lavani number, Kaif opted for the traditional Koli Kashta sari that did full justice to her washboard abs.

Kareena Kapoor Khan’s sari in ‘Chammak Challo’

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In a film dominated by superheroes, reanimated villains and possessed video games, Kareena Kapoor Khan turned to the trusty red sari to deliver an iconic look, that now lives on through her wax statue at Madame Tussauds, London. “I wanted my fans to see my figure in an outfit that was known and loved from one of my films, and my favourite outfit to wear out is a sari, so I jumped at the chance to redress my Madame Tussauds’ figure in one,” she said in a statement on the gallery’s website.

Deepika Padukone’s sari in ‘Badtameez Dil’

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Cementing her transformation from nerd to glamazon, Deepika Padukone reinvented cocktail night with a low-draped georgette sari and a sequinned handkerchief blouse that is just as effective at catching the eye of your former beau as it is for a night of playing footsie on the dance floor. Head turns guaranteed.

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Sridevi-in-Mr-India

Sridevi’s sari in ‘Kaate Nahi Katte’

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Raveena-Tandon-in-Mohra

Raveena Tandon’s sari in ‘Tip Tip Barsa Pani’

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Madhuri-in-Hum-Apke-Hain-Kaun

Madhuri Dixit Nene’s sari in ‘Didi Tera Devar’

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Maduri-and-Aishwarya-Rai-Bachchan-in-Devdas

Aishwarya Rai Bachchan and Madhuri Dixit Nene’s saris in ‘Dola Re’

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Kajol-in-Kabhi-Khushi-Kabhi-Gam

Kajol’s saris in ‘Suraj Hua Maddham’

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Sushmita-sen-in-Main-Hoon-Na

Sushmita Sen’s saris in ‘Main Hoon Na’

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Priyanka-Chopra-in-Dostana

Priyanka Chopra’s sari in ‘Desi Girl’

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Katrina-Kaif-in-Agnipath

Katrina Kaif’s sari in ‘Chikni Chameli’

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Kareena-Kapoor-Khan-in-Raone

Kareena Kapoor Khan’s sari in ‘Chammak Challo’

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Deepika-and-Kalki-in-Yeh-Jawani-hai-Deewani

Deepika Padukone’s sari in ‘Badtameez Dil’

Also read:

Printed saris: The new celeb-approved staple your ethnic wardrobe needs

The sari draper to Bollywood celebrities lets us in on her top tips

52 beautiful Bollywood-approved saris we spotted in 2018

The most interesting designer saris spotted at Lakmé Fashion Week

The post The most iconic saris in Bollywood movies through the years appeared first on VOGUE India.



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